Maureen Crowe

Veteran music supervisor and co-founder of the Guild of Music Supervisors speaks on the sparkling legacy of The Bodyguard soundtrack, rounding up rock legends for Wayne’s World, her unrelenting advocacy on behalf of music supervisors, and what variables can impact the perceived value of a copyright.

Music SupervisorsRuby Gartenberg, Paul GoldowitzSeptember 5, 2018Pop Disciple, PopDisciple, Paul Goldowitz, Ruby Gartenberg, Maureen Crowe, Music Supervisor, Music Supervision, Sync, Synch, Music Licensing, Sync Licensing, Music Supervisors, The Bodyguard, Wayne's World, Chicago, The Perfect Storm, Newsies, The Pink Panther, Poseidon, The Young Victoria, Fame, The Recording Academy, The Guild of Music Supervisors, Guild of Music Supervisors, Newhouse School at Syracuse, Broadway, AFI, A&R, SBK Music Publishing, Documentary, New York, GRAMMY, Ken Ehrlich, Jay Landers, Diane Warren, Becky Mancuso-Winding, Footloose, Joel Sill, La Bamba, Officer and a Gentleman, Whitney Houston, Kenny G, Aaron Neville, Kevin Costner, Fried Green Tomatoes, David Foster, Motown, Prisoner Disguise, Linda Ronstadt, Dolly Parton, Best Little Whorehouse in Texas, The Eagles, Neil Young, Dances with Wolves, Field of Dreams, Renee Zellweger, Catherine Zeta-Jones, Rob Marshall, Director, Gene Kelly, Kenny Ortega, King of New York, Jeffrey Katzenberg, Alice Cooper, Queen, Bohemian Rhapsody, Freddie Mercury, Black Sabbath, Jimi Hendrix, Frank Wolfe, Feed My Frankenstein, Shep Gordon, Foxy Lady, What's New Pussycat, Father of the Bride, Steve Martin, Star Trek, Nirvana, Julianne Jordan, Mary Ramos, Reservoir Dogs, Stuck in the Middle with You, The La's, There She Goes, Evyen Klean, Alexandra Patsavas, PJ Bloom, Dave Jordan, Motion Picture Academy, The Academy, Shonda Rhimes, Grey's Anatomy, Music Modernization Act

Neil Goldberg, Dave Fraser, & Ari Winters of Heavyocity

The three brilliant pioneers behind virtual instrument empire, Heavyocity speak on the ideology that propels their groundbreaking product line, the obstacles they faced in launching their first product, Evolve, and how their enduring family bond has been instrumental to their success for over a decade.

Industry InnovatorsPaul Goldowitz, Ruby GartenbergMay 30, 2018Paul Goldowitz, Ruby Gartenberg, Heavyocity, Neil Goldberg, Dave Fraser, Ari Winters, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, James Newton Howard, Brian Tyler, Rupert Gregson-Williams, Cliff Martinez, Ramin Djawadi, Video Games, Advertising, Evolve, Heavyocity Evolve, Field Recording, Sample, Hybrid Score, Heavy Melody Music and Sound Design, New York, REO Speedwagon, Discovery, NFL, GE, Pepsi, Berklee College of Music, Annihilator, Carnegie Mellon, Heavy Melody, Game Audio Network, Game Audio Network Guild, Randy Pausch, Don Marinelli, The Last Lecture, Activision, Activision Corporate, Kontakt, Native Instruments, Digital Performer, MOTU, Pro Tools, Stylus RMX, MOTU Mach Five, Kontakt Player 2, Intakt, Giga Studio, Tascam, NAMM, GRAVITY, Heavyocity GRAVITY, Pink Floyd, Hypnosis, Skeuomorphic, Neve 1073, Perception, Perception Heavyocity, Iron Man, Marvel, Black Panther, Black Panther Perception, Heavyocity Punish, Punish, Heavyocity Damage, Damage, Heavyocity NOVO, NOVO, NOVO Modern Strings, Warner Bros Studios, Warner Bros, Orchestra, Eastwood Scoring Stage, Heavyocity AEON, AEON, Universal Audio, Waves, Waves L3, iZotope, Izotope Trash, Izotope Ozone, Izotope RX, Dave Pensado, Pensado's Place, Pensado's Place Into The Lair, Dave Pensado Into The Lair, Heavyocity Scoring Guitars 2, Scoring Guitars 2, Native Instruments Komplete Kontrol, Rosa Mexicano, Keens Steakhouse, Teddy Roosevelt, The Breslin, April Bloomfield, Le Singe Vert, The Green Monkey, Heavyocity Sale

Peter Nashel

The fastidious musical chameleon and co-founder of DuoTone Audio Group speaks on the rationale behind his treatment for the key incident in I, Tonya, teases out the modernized East meets West soundscapes of Netflix's Marco Polo, and explains what a vacation from your computer can do for your artistry.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzMarch 22, 2018Paul Goldowitz, Ruby Gartenberg, Peter Nashel, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, I Tonya, Marco Polo, Netflix, Eastman School of Music, Manhattan School of Music, Bill Holderman, Book Club, Jane Fonda, Candice Bergen, Diane Keaton, Younger, TV Land, DuoTone, DuoTone Audio, The Nigerian Prince, Paul Cohen, Broadway, Tanglewood, John Coltrane, The Heath Brothers, Bill Barron, Kenny Barron, Wesleyan, New York, New York City, Brooklyn, Jack Livesey, Moby, Play, The Beastie Boys, The Cranberries, tomandandy, Swing House, Atwater Village, Robert Urband, Film Music Management, Manager, Alexandre Desplat, Elmer Bernstein, Michael Kamen, Susan Jacobs, Craig Gillespie, Allison Janney, Tatiana S. Riegel, Bernard Hermann, Brian Deming, Lawrence Manchester, Tonya Harding, Jeff Gillooly, Nancy Kerrigan, Shane Stant, Shawn Eckhardt, China, Mongolia, John Fusco, Jim Black, Music Supervisor, Music Supervision, Dave Weiss, The Lion King, Flutist, Flautist, Multi-Instrumentalists, Game of Thrones, Outlander, Kublai Khan, Eric Hachikian, One Hundred Eyes, The Starship Enterprise, John Williams, Logic, Omnisphere, EastWest, Kontakt, Little Phatty, Moog Voyager, Fender Rhodes, Wurtlitzer, My Dinner with Andre, Karlheinz Stockhausen, Wallace Shawn, Southold, Long Island, Connecticut, 2, 3, I, Sue Jacobs, DuoTone Audio Peter Nashel

Marat Berenstein

Tenacious artist manager, founder of The Marat Berenstein Company, and adjunct professor at NYU's Clive Davis Institute of Recorded Music speaks on his illuminating experience working for the legendary Art Garfunkel, the importance of being a person of integrity in business, and how social sharing has radically changed the distribution of music.

Industry InnovatorsRuby Gartenberg, Paul GoldowitzMarch 9, 2018Paul Goldowitz, Ruby Gartenberg, Marat Berenstein, Matt FX Feldman, Clive Davis Institute, Clive Davis Institute of Recorded Music, Columbia University, Art Garfunkel, Simon and Garfunkel, Matt FX, Matt Feldman, Music Supervisor, Music Supervision, The Marat Berenstein Company, Marat Berenstein Company, Broad City, Synead Nichols, Synead, Millions March, Millions March NYC, Edward R. Murrow, Ivy League, Computer Science, Puff Daddy, P. Diddy, Jay-Z, Russell Simmons, Rick Rubin, MTV, Rolling Stone, Vibe, LinkedIn, Myspace, Facebook, Manager, Management, Artist Manager, Artist Management, Sync, Sync Licensing, Music Licensing, George Stephanopoulos, Madison Square Garden, Rob Reiner, Rumor Has It, Jennifer Aniston, Kevin Costner, The Graduate, Decon Records, Mass Appeal Records, Future Music Moguls, Pharrell, Jason King, Tisch School of the Arts, NYU, New York University, New York City, New York, Bob Power, A Tribe Called Quest, Maggie Rogers, Alaska, Summer High School, Spotify, Apple Music, Amazon, Tidal, Tunecore, CD Baby, DistroKid, Stem, YouTube, Twitter, Snapchat, Instagram, Instagram Live, Frank Ocean, Hit Me Music, Colossal Clusterfest, Comedy Central, Superfly, Abbi Jacobson, Ilana Glazer, Troy Carter, Atom Factory, Lady Gaga, Prince

Matt FX Feldman

Music supervision prodigy, eminent record producer/DJ, and all-around cultural tastemaker speaks on the current state of popular music, shaping the wild sonic identity of Comedy Central's hit show, Broad City, and names his top "ones to watch" for the year ahead.

INTERVIEWS