Posts tagged Soundtrack
Patrick Doyle

Iconic Academy Award, Golden Globe, and BAFTA nominated composer speaks on the intimate contemporary score he crafted for Kenneth Branagh’s All is True illustrating William Shakespeare’s last years, taking an unexpected turn into the action packed Marvel universe for Thor, building a friendship with Robert Altman while contributing his talents to Gosford Park, and collaborating with Michelle Pfeiffer for Murder On The Orient Express.

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Michael Brook

Inventive Golden Globe and Grammy nominated composer and producer discusses his emotionally nuanced and sonically ambiguous score for Keith Behrman’s coming of age drama, Giant Little Ones, the genesis of the Infinite Guitar, musically sympathizing with the character of Chris McCandless on Into The Wild, and his connection to the incomparable Nusrat Fateh Ali Khan.

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Max Richter

Elegant contemporary classical artist and Emmy nominated composer shares about creating gender delineations within his intense Elizabethan inspired score for Mary Queen of Scots, implementing the devil’s interval and lamenting bass to reflect the grim emotional terrain of Taboo, and his approach in illustrating a 60-year long relationship with stunning piano duets on My Brilliant Friend.

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Mychael Danna

Masterful Academy Award, Golden Globe, and Emmy winning composer speaks on channeling the discipline of Ruth Bader Ginsburg in his heroic score for On The Basis of Sex, striving for simplicity to support the heartwarming tale of A Dog’s Way Home, the beautiful struggle behind Life of Pi, and the value of having “a guiding intelligence” that underpins your creations.

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Gabriel Mann

Multi-faceted singer/songwriter and ASCAP Award-winning composer dishes on teaming up with his former boss, David Schwartz to pen the hysterical soundtrack of Arrested Development, breathing new life into iconic songs of the past for A Million Little Things, and how contemporary music has influenced the guitar-driven musical universe of Modern Family over the course of ten seasons on air.

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Brett McLaughlin | Leland

Daring recording artist, Golden Globe and Emmy nominated songwriter, and burgeoning composer speaks on the creative considerations behind Revelation, the original song he co-wrote with Troye Sivan and Jónsi of Sigur Rós for Joel Edgerton’s Boy Erased, crafting musical numbers for the queens of RuPaul’s Drag Race, and how creating the perfect breaker for Daya changed his life.

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Rolfe Kent

Distinguished composer speaks on musically supporting the touching story of Laurel and Hardy’s enduring friendship for Stan & Ollie, the magnetic energy he experienced in collaborating with director, Jon S. Baird, and taking a turn into the world of French jazz for the upcoming romantic period drama, The Man Who Saved Paris.

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Rob Simonsen

Evocative composer and founding member of The Echo Society speaks on returning to his jazz roots to tell the scandalous story of politician, Gary Hart for The Front Runner, his harmonious working dynamic with director/producer/writer, Jason Reitman, the greatest challenge of executing the score of Love, Simon, and the power of listening.

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Blake Neely

Valiant award-winning composer and founder of Cow On The Wall speaks on the timeless and tension-filled realm of Riverdale, cross-pollinating thematic material within the evolving, action packed DC Comics franchise, achieving the perfect balance of psychosis and compassion in his score for You, and the rejection letter that started it all.

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David Schwartz

Artful BMI Award winning composer speaks on finding the key to the distinctive musical universe of The Good Place, showcasing every hysterically funny and utterly dysfunctional layer of the Bluth family dynamic over five seasons of Arrested Development, and what he hopes is waiting for him in the afterlife.

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Colin Stetson

Radically experimental composer, solo artist, and multi-instrumentalist speaks on avoiding all utterance of conventional themes and melodic motifs to support the deeply disturbing narrative of Hereditary, the sonic trifecta he conceived to highlight the triumphs and losses of The First, and his most significant rule for authentic storytelling through music.

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Saunder Jurriaans & Danny Bensi

The impactful, award-winning composing duo discuss the components of their rustic and propulsive score for the bleak universe of Ozark, their thoughtful approach in illustrating the emotional complexities of Joel Edgerton’s Boy Erased, and the creative evolution of their invincible partnership over the course of two decades.

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Theodore Shapiro

Sophisticated 13-time BMI Award winning composer discusses the mysterious, whimsical palette he assembled for Paul Feig’s thriller comedy, A Simple Favor, writing a score fit for a tormented female LAPD detective on Destroyer, and the art of creating serious music to support Hollywood’s funniest moments.

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Henry Jackman

Adventurous 8-time ASCAP Award winning composer discusses living out his childhood fantasy and honoring Alan Silvestri through his score for The Predator, propelling the thematic DNA of Wreck-It Ralph into a new universe for Ralph Breaks The Internet, and the single most distinguishing skill for a composer to possess outside of musical prowess.

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Will Bates

Intrepid composer speaks on his intricate journey to make it in America, the synth-heavy musical identity he is crafting for George R.R. Martin’s Nightflyers, distilling the essence of rich Middle Eastern musical traditions for The Looming Tower, and the challenges he experienced in sculpting a distorted, frenetic sound world signature to The Path.

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Terence Blanchard

Heroic film composer, five-time Grammy Award winning recording artist, and jazz trumpeter speaks on drawing inspiration from Jimi Hendrix’s rendition of the National Anthem for BlacKkKlansman, the similar beliefs he shares with director, Spike Lee that guide their decade-spanning artistic collaboration, and the transformative power of expressing truth and integrity through music.

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Harry Gregson-Williams

Triumphant award-winning composer speaks on garnering his first Emmy nomination for his mystic, otherworldly treatment of Philip K. Dick’s Electric Dreams ‘The Commuter’ episode and how he showcased the magnificence and the dread of The Meg with a monumental Chinese influenced orchestral score.

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Nathan Barr

Inventive Emmy nominated composer discusses taking an expansive orchestral approach for the gothic horror children’s film, The House with a Clock in Its Walls, how scoring Hemlock Grove inspired the creation of his lavish Bandrika Studios, and the anticipation building around the Broadway adaption of the sultry hit vampire series, True Blood.

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Christophe Beck

Prolific Emmy winning, Grammy nominated composer explains the use of unusual meters in his grandiose musical treatment for Ant-Man and the Wasp, the rewards and challenges of sustaining a love affair with modular synthesizers, and what he believes are the three constants within his extensive, colorful body of work.

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Peter Boyer

Resplendent composer, conductor, and orchestrator behind the critically acclaimed classical work, Ellis Island: The Dream of America discusses the American pioneer spirit refracted through the immigrant experience and the grandiose piece he has in store for the 220th anniversary of “The President's Own” United States Marine Band.

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