In celebration of a productive year, Pop Disciple presents a data-driven round-up of our top 15 highest performing features of 2019.
As this dynamic year comes to a close, Pop Disciple presents a data-driven wrap-up of our top 12 fan-favorite podcasts of 2019.
Pop Disciple celebrates and congratulates the diverse and inspiring 71st Emmy Awards nominees in the following music categories: Music Supervision, Original Main Title Theme Music, Music Composition for a Series, Music Composition for a Limited Series, Movie, or Special, and Music Composition for a Documentary Series or Special. Explore the projects and respective creatives and music in contention for coveted accolades from The Television Academy.
Pop Disciple shares their recap of the 34th Annual ASCAP Screen Music Awards at Beverly Hilton in Los Angeles. We spoke to a diversity of ASCAP composers about the evolving landscape of music in media and their creative processes. Full list of winners inside.
Pop Disciple recounts highlights from the 35th Annual BMI Film, TV, and Visual Media Awards at Beverly Wilshire Hotel in Los Angeles. Full list of winners inside.
Pop Disciple shares their recap of the 9th Annual Guild of Music Supervisors Awards held at the Theatre at ACE Hotel in Los Angeles. We caught up with Gloria Allred, Joel Sill, Julia Michels, Rafael Casal, Jennifer Pyken, Kier Lehman, Lindsay Wolfington, Laura Webb, Amanda Krieg-Thomas and Matt Biffa. Full list of winners inside.
Pop Disciple shares the esteemed nominees for the 91st Annual Academy Awards categories: Best Original Score and Best Original Song. Listen to the celebrated music from the critically acclaimed films here.
In celebration of a productive and creatively fulfilling year, Pop Disciple presents a data driven round-up of our top 20 highest performing features of 2018.
Pop Disciple shares their recap of SAGindie Movies & Music: Speed Pairing at the SAG-AFTRA Building in Los Angeles. We spoke with the Executive Director of SAGindie, as well as a selection of the participating composers and filmmakers.
Pop Disciple catches up with Thomas Golubić, John Houlihan, Madonna Wade-Reed, Robin Kaye, Amanda Krieg Thomas, Jen Ross, and Rob Lowry at the 4th Annual Guild of Music Supervisors State of Music in Media Conference.
Pop Disciple presents their 70th Annual Emmy Awards Outstanding Music Supervision special. We spoke to a selection of 2018 nominees, Nora Felder (Stranger Things), Robin Urdang (The Marvelous Mrs. Maisel), Jen Malone (Atlanta), and Jennifer Pyken (This is Us) about the musical magic they manifested in their respective episodes.
Pop Disciple shares their recap of the 30th Anniversary ASCAP Film Scoring Workshop. We spoke to Emmy winning composer and mentor, Richard Bellis, the executive producers of the program, Michael Todd and Jennifer Harmon, and all 12 of the 2018 participants.
Pop Disciple shares their recap of the 33rd Annual ASCAP Screen Music Awards at Beverly Hilton in Los Angeles. We spoke to a diversity of ASCAP composers about the creative process behind their award-winning scores. Full list of winners inside.
Pop Disciple shares their recap of the 34th Annual BMI Film, TV, and Visual Media Awards at Beverly Wilshire Hotel in Los Angeles. We spoke to a range of notable BMI composers about the impact of the legendary John Williams. Full list of winners inside.
Pop Disciple offers their insights from five of the interactive panels at the 9th Annual ASCAP “I Create Music” EXPO at the Loews Hollywood Hotel in Los Angeles.
Pop Disciple shares their wrap-up of the 8th Annual Guild of Music Supervisors Awards held at The Theater at ACE Hotel in Los Angeles. Explore the full list of winners here.
Pop Disciple shares the incredible nominees for the 90th annual Academy Awards categories, Best Original Score and Best Original Song. Listen to the stunning music from the critically acclaimed films here.
Explore the 2017 EMMY Awards with Pop Disciple. Eager to immerse ourselves in the music of this year's nominees, we created a concise wrap up of all of the highlights from the categories we feel most excited about.
Pop Disciple shares their recap of the 7th Annual Guild of Music Supervisors Awards. Explore the full list of winners here.
Mysterious award-winning sonic pioneer discusses how a cattle call in Toronto led to the inception of his artistic union with auteur Robert Eggers, how he evoked a feeling of the sea in his enthralling atonal score for The Lighthouse, the provenance of bespoke instrument, The Apprehension Engine, and his greatest fear as a music maker.
Exuberant composer speaks on capturing the musical magic of New Orleans in the 1910s and innovating upon quintessential songs for Disney’s live-action version of Lady and the Tramp, how he translated the visual cavalcade of Arctic into an aural medium with re-amplified orchestra and convolution reverb, and his profoundly experimental approach on BenDavid Grabinski’s upcoming thriller comedy, Happily.
Supernatural award-winning composer speaks on modernizing sonic hallmarks of the old West to fuel his score for El Camino: A Breaking Bad Movie, having the luxury of time to hone his musical character study of Jesse Pinkman, the stylistic choices he employed for the showdown at Kandy Welding Co, and which familiar face from the Breaking Bad universe he was delighted to see revivified.
Brilliant self-made composer reveals the path to land his breakout gig on CSI: Miami, how they determined the aural character of Chuck Lorre’s Golden Globe-winning passion project, The Kominsky Method, his musical highlights from Silicon Valley ahead of the series finale, and a deconstruction of the Hollywood overnight success mythology.
Supreme Emmy-winning composer returns to discuss the sonic climax of Sam Esmail’s psychological thriller masterwork, Mr. Robot, his hard and fast rules for crafting authentic ‘80s nostalgia on American Horror Story: 1984, peppering his score for The Politician with Spanish flourishes, and the period orchestral treatment he has in the works for Ratched.
Emergent composer and co-creator of New York-based artist collective, Found Objects discusses what he learned from apprenticing for Philip Glass, how he conveyed the grandiosity of Donna Tartt’s Pulitzer Prize-winning tome in his work on The Goldfinch, the tripartite musical through-line in his highly stylized synth score for Bloodline, and what he has in store for M. Night Shyamalan’s Servant.