Posts tagged White Bear PR
The Newton Brothers

Prominent composing duo discuss the pathos behind their achingly beautiful main titles theme for The Haunting of Hill House, summoning woeful sensations to embody the plight of the Crain family, the revelatory influence of John Williams on their musical union, naming themselves after English mathematician/physicist, Sir Isaac Newton, and re-teaming with Mike Flanagan for Doctor Sleep, the upcoming prequel to The Shining.

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Miriam Cutler

Triumphant Emmy nominated composer and relentless social activist discusses her path to making music that serves a higher purpose, crafting an intimate sonic atmosphere for RBG to support the inspirational life story of Ruth Bader Ginsburg, how The Hunting Ground ignited a nation-wide conversation surrounding college campus sexual assault, commemorating the joyful essence of Gilda Radner on Love, Gilda, and her experience as a navigator and tastemaker in the ‘post-truth’ era.

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Ronit Kirchman

Innovative BMI Award winning composer, multi-instrumentalist, and electronic music experimentalist shares about the evolving psychologically nuanced musical lexicon she defined for the riveting crime anthology series, The Sinner, the connective thread of Detective Harry Ambrose, the benefits of engaging in creative awareness and movement training, and how empowering a culture of inclusivity will result in richer artistic outcomes.

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Disasterpeace | Rich Vreeland

Imaginative award-winning composer speaks on his unexpected entrance to video game scoring, how he conveyed the elaborate environment of neo-noir fever dream, Under The Silver Lake, combining Ennio Morricone flavored guitar work and ambient string textures with musical contributions from Lars Ulrich of Metallica for Triple Frontier, and the introspective process of refinement that underpins his novel creations.

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Paul Haslinger

Groundbreaking Emmy and Grammy nominated composer discusses the most valuable transferable skill from his five year voyage with Tangerine Dream, interpreting Mötley Crüe’s darkest moments with a stylized, psychological approach for The Dirt, reimagining the electronic instrumentation of his formative years for Halt and Catch Fire, and reuniting with Paul W.S. Anderson to intensify the larger than life world of Monster Hunter.

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Steven Price

Exceptional Academy Award and BAFTA winning composer speaks on the call to action at the heart of his sonic odyssey for Our Planet, taking a deep dive into animation for Wonder Park, finessing the music-driven experience of Baby Driver over the course of a decade, and the limitless experiments that took place to perfect his celebrated score for Gravity.

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Patrick Doyle

Iconic Academy Award, Golden Globe, and BAFTA nominated composer speaks on the intimate contemporary score he crafted for Kenneth Branagh’s All is True illustrating William Shakespeare’s last years, taking an unexpected turn into the action packed Marvel universe for Thor, building a friendship with Robert Altman while contributing his talents to Gosford Park, and collaborating with Michelle Pfeiffer for Murder On The Orient Express.

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Brett McLaughlin | Leland

Daring recording artist, Golden Globe and Emmy nominated songwriter, and burgeoning composer speaks on the creative considerations behind Revelation, the original song he co-wrote with Troye Sivan and Jónsi of Sigur Rós for Joel Edgerton’s Boy Erased, crafting musical numbers for the queens of RuPaul’s Drag Race, and how creating the perfect breaker for Daya changed his life.

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Chandler Poling

Effervescent publicist and co-founder of White Bear PR speaks on how his own musical background informs his approach to advancing the careers of composers and music supervisors, the fundamentals of cultivating a memorable visual brand, and how the evolving landscape of media will impact how artists promote themselves.

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Pedro Bromfman

Multi-award winning powerhouse composer and two time Cinema Brazil Grand Prizes nominee shares about honoring the rich tradition of Latin-American music in an electronic world, balancing the beauty and darkness for Narcos, and why he believes he was made for film scoring. 

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