Jeff Beal

Magnificent composer and recording artist discusses his effective collaboration with director, Oliver Stone to create a striking, Russian flavored score for The Putin Interviews, manifesting a powerful female sound for the final season of political thriller, House of Cards, and how turbulent times in our society can lead to profound displays of artistic expression.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzSeptember 4, 2018Pop Disciple, PopDisciple, Jeff Beal, Composer, The Krakower Group, Beth Krakower, House of Cards, Monk, Shock and Awe, Emmys, Emmy, The Long Road Home, Rome, Gypsy, Carnivàle, Carnivale, An Inconvenient Sequel, An Inconvenient Sequel: Truth To Power, Blackfish, Generation Wealth, Ugly Betty, The Price of Everything, The Putin Interviews, Vladimir Putin, Oliver Stone, Miles Davis, Sketches of Spain, Kind of Blue, Eastman School of Music, Oakland Youth Symphony, Stravinsky, Igor Stravinsky, Rite of Spring, Tower of Power, Keystone Korner, San Francisco, Django Reinhardt, Shostakovich, Prokofiev, Rimski-Korsakov, Samuel Barber, Platoon, Claire Underwood, Frank Underwood, Kevin Spacey, Tony Shalhoub, Puccini, The Godfather, The Kennedy Center, Sharon Bezaly, Pollock, Jackson Pollock, The Passion of Ayn Rand, Helen Mirren, Eric Stoltz, Peter Fonda, Chet Baker, Birth of the Cool, Jay Sebring, Rat Pack, Sharon Tate, Hollywood, Charles Manson, St. Louis Symphony, Ruby Gartenberg, 2

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