Posts in Top Stories
Dave Porter

Supernatural award-winning composer speaks on modernizing sonic hallmarks of the old West to fuel his score for El Camino: A Breaking Bad Movie, having the luxury of time to hone his musical character study of Jesse Pinkman, the stylistic choices he employed for the showdown at Kandy Welding Co, and which familiar face from the Breaking Bad universe he was delighted to see revivified.

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Jason Hill

Hypnotic composer, producer, and founder of The Department of Recording and Power details his lifelong rejection of sonic mores, how David Fincher’s unorthodox prompt regarding ‘the death of disco’ ignited the season two musical identity of Mindhunter, making Netflix history with his chilling re-imagining of the main titles theme, and teases a comeback release from Louis XIV.

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Hildur Guðnadóttir

Sensational Emmy winning composer, cellist, and vocalist speaks on field recording in a vast Lithuanian power plant to piece together an ominous arsenal of sounds for Chernobyl, the heartfelt responsibility of scoring a dramatic re-excavation of the cataclysmic 1986 nuclear disaster in the Soviet Union, her interwoven creative process with Todd Phillips to realize a cohesive musical universe unique to Joker, and the distinctive appeal of the hermetic lifestyle she leads in Berlin.

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The Newton Brothers

Prominent composing duo discuss the pathos behind their achingly beautiful main titles theme for The Haunting of Hill House, summoning woeful sensations to embody the plight of the Crain family, the revelatory influence of John Williams on their musical union, naming themselves after English mathematician/physicist, Sir Isaac Newton, and re-teaming with Mike Flanagan for Doctor Sleep, the upcoming prequel to The Shining.

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Dominik Scherrer

Daring two-time Ivor Novello winning and Emmy nominated composer delves into his life long devotion to the complex relationship between music and visual narrative, dominating the niche of ‘film-opera’, the profound beauty and sadness he conjured in his Congolese flavored score for The Widow, and how he drew influence from the late 16th-century occult or angelic language, Enochian for his artistic collaboration with Bat for Lashes’ Natasha Khan on Requiem.

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Miriam Cutler

Triumphant Emmy nominated composer and relentless social activist discusses her path to making music that serves a higher purpose, crafting an intimate sonic atmosphere for RBG to support the inspirational life story of Ruth Bader Ginsburg, how The Hunting Ground ignited a nation-wide conversation surrounding college campus sexual assault, commemorating the joyful essence of Gilda Radner on Love, Gilda, and her experience as a navigator and tastemaker in the ‘post-truth’ era.

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Paul Haslinger

Groundbreaking Emmy and Grammy nominated composer discusses the most valuable transferable skill from his five year voyage with Tangerine Dream, interpreting Mötley Crüe’s darkest moments with a stylized, psychological approach for The Dirt, reimagining the electronic instrumentation of his formative years for Halt and Catch Fire, and reuniting with Paul W.S. Anderson to intensify the larger than life world of Monster Hunter.

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