Daring two-time Ivor Novello winning and Emmy nominated composer delves into his life long devotion to the complex relationship between music and visual narrative, dominating the niche of ‘film-opera’, the profound beauty and sadness he conjured in his Congolese flavored score for The Widow, and how he drew influence from the late 16th-century occult or angelic language, Enochian for his artistic collaboration with Bat for Lashes’ Natasha Khan on Requiem.
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