Posts tagged Brooklyn
Michael Brook
Michael Brook

Inventive Golden Globe and Grammy nominated composer and producer discusses his emotionally nuanced and sonically ambiguous score for Keith Behrman’s coming of age drama, Giant Little Ones, the genesis of the Infinite Guitar, musically sympathizing with the character of Chris McCandless on Into The Wild, and his connection to the incomparable Nusrat Fateh Ali Khan.

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Film/TV ComposersRuby Gartenberg, Paul GoldowitzPop Disciple, PopDisciple, Paul Goldowitz, Ruby Gartenberg, Michael Brook, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, Into The Wild, The Fighter, The Perks of Being a Wallflower, Brooklyn, An Inconvenient Truth, The Vow, Undefeated, The Fosters, Good Trouble, Brian Eno, Nusrat Fateh Ali Khan, The Edge, U2, David Sylvian, Pierre Nooten, Robert Fripp, Daniel Lanois, Jon Hassell, Giant Little Ones, Silverlake Media, Kurt Nishimura
Peter Nashel
Peter Nashel

The fastidious musical chameleon and co-founder of DuoTone Audio Group speaks on the rationale behind his treatment for the key incident in I, Tonya, teases out the modernized East meets West soundscapes of Netflix's Marco Polo, and explains what a vacation from your computer can do for your artistry. 

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Film/TV ComposersRuby Gartenberg, Paul GoldowitzPaul Goldowitz, Ruby Gartenberg, Peter Nashel, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, I Tonya, Marco Polo, Netflix, Eastman School of Music, Manhattan School of Music, Bill Holderman, Book Club, Jane Fonda, Candice Bergen, Diane Keaton, Younger, TV Land, DuoTone, DuoTone Audio, The Nigerian Prince, Paul Cohen, Broadway, Tanglewood, John Coltrane, The Heath Brothers, Bill Barron, Kenny Barron, Wesleyan, New York, New York City, Brooklyn, Jack Livesey, Moby, Play, The Beastie Boys, The Cranberries, tomandandy, Swing House, Atwater Village, Robert Urband, Film Music Management, Manager, Alexandre Desplat, Elmer Bernstein, Michael Kamen, Susan Jacobs, Craig Gillespie, Allison Janney, Tatiana S. Riegel, Bernard Hermann, Brian Deming, Lawrence Manchester, Tonya Harding, Jeff Gillooly, Nancy Kerrigan, Shane Stant, Shawn Eckhardt, China, Mongolia, John Fusco, Jim Black, Music Supervisor, Music Supervision, Dave Weiss, The Lion King, Flutist, Flautist, Multi-Instrumentalists, Game of Thrones, Outlander, Kublai Khan, Eric Hachikian, One Hundred Eyes, The Starship Enterprise, John Williams, Logic, Omnisphere, EastWest, Kontakt, Little Phatty, Moog Voyager, Fender Rhodes, Wurtlitzer, My Dinner with Andre, Karlheinz Stockhausen, Wallace Shawn, Southold, Long Island, Connecticut, 2, 3, I, Sue Jacobs, DuoTone Audio Peter Nashel
Joel C. High
Joel C. High

Tyler Perry's main man dishes on getting recognition from High Times Magazine, seeking to hire people who are smarter than him, and the labor of love in curating the sonic palette for Duane Adler's Heartbeats.

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Music SupervisorsPaul Goldowitz, Ruby GartenbergPaul Goldowitz, Joel C. High, Saw, Tyler Perry, Girl with A Pearl Earring, Lions Gate, Guild of Music Supervisors, Creative Control Entertainment, Grow House, G Funk, Documentary, Diary of A Mad Black Woman, Rob Zombie, The Devil's Reject, Lionsgate, House of 1000 Corpses, DJ Pooh, Snoop Dogg, Lil Duval, Stoniest Soundtrack of the Year, High Times Magazine, South by Southwest, Warren G, Russell Simmons, G-Funk, Suge Knight, Def Jam, A Tribe Called Red, Valerie June, The Skins, Brooklyn, SXSW, Jane's Addiction, Punk Rock, Anson Ford Theatre, The Red Hot Chili Peppers, Doggystyle, Fishbone, Mary's Danish, Thelonious Monster, Los Angeles, Atlantic Records, San Diego, Trimark Pictures, Heartbeats, Duane Adler, Step Up, Save The Last Dance, Gingger Shankar, GMS, Television Academy, EMMY, Tacos, Gardening, Ruby Gartenberg, Music Supervisor, The Guild of Music Supervisors