Maureen Crowe

Veteran music supervisor and co-founder of the Guild of Music Supervisors speaks on the sparkling legacy of The Bodyguard soundtrack, rounding up rock legends for Wayne’s World, her unrelenting advocacy on behalf of music supervisors, and what variables can impact the perceived value of a copyright.

Music SupervisorsRuby Gartenberg, Paul GoldowitzSeptember 5, 2018Pop Disciple, PopDisciple, Paul Goldowitz, Ruby Gartenberg, Maureen Crowe, Music Supervisor, Music Supervision, Sync, Synch, Music Licensing, Sync Licensing, Music Supervisors, The Bodyguard, Wayne's World, Chicago, The Perfect Storm, Newsies, The Pink Panther, Poseidon, The Young Victoria, Fame, The Recording Academy, The Guild of Music Supervisors, Guild of Music Supervisors, Newhouse School at Syracuse, Broadway, AFI, A&R, SBK Music Publishing, Documentary, New York, GRAMMY, Ken Ehrlich, Jay Landers, Diane Warren, Becky Mancuso-Winding, Footloose, Joel Sill, La Bamba, Officer and a Gentleman, Whitney Houston, Kenny G, Aaron Neville, Kevin Costner, Fried Green Tomatoes, David Foster, Motown, Prisoner Disguise, Linda Ronstadt, Dolly Parton, Best Little Whorehouse in Texas, The Eagles, Neil Young, Dances with Wolves, Field of Dreams, Renee Zellweger, Catherine Zeta-Jones, Rob Marshall, Director, Gene Kelly, Kenny Ortega, King of New York, Jeffrey Katzenberg, Alice Cooper, Queen, Bohemian Rhapsody, Freddie Mercury, Black Sabbath, Jimi Hendrix, Frank Wolfe, Feed My Frankenstein, Shep Gordon, Foxy Lady, What's New Pussycat, Father of the Bride, Steve Martin, Star Trek, Nirvana, Julianne Jordan, Mary Ramos, Reservoir Dogs, Stuck in the Middle with You, The La's, There She Goes, Evyen Klean, Alexandra Patsavas, PJ Bloom, Dave Jordan, Motion Picture Academy, The Academy, Shonda Rhimes, Grey's Anatomy, Music Modernization Act

Maggie Phillips

Illuminated and experimental music supervisor speaks on her trial by fire entry to the field after the success of The Duplass Brothers’ The Puffy Chair, her complex collaboration with Noah Hawley and Jeff Russo to manifest the psychedelic atmosphere of Legion, and how a sync from Fargo led to the expansion of a farm in Zambia.

Music SupervisorsRuby Gartenberg, Paul GoldowitzMay 31, 2018Paul Goldowitz, Ruby Gartenberg, Maggie Phillips, Marguerite Phillips, Music Supervisor, Music Supervision, Sync, Synch, Music Licensing, Sync Licensing, Music Supervisors, Duplass Brothers, Oscars, Golden Globes, Moonlight, Sundance Film Festival, Sundance, Grand Jury Prize, The Miseducation of Cameron Post, The Handmaid's Tale, Snowfall, Altered Carbon, Legion, Fargo, Dietland, FX, AMC, Hulu, Netflix, University of Texas, Austin, Liberty Lunch, The Puffy Chair, Mark Duplass, Jay Duplass, William Morris Agency, Cyrus, Wende Crowley, Sony/ATV Music Publishing, Gabe Hilfer, Noah Hawley, Jeff Russo, Jefferson Russo, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, Yama Yama, Yamasuki Singers, Bashi Mwana, Musi-O-Tunya, Reunion, Bobbie Gentry, Locomotive Breath, Jethro Tull, War Pigs, Black Sabbath, Punk Rock, Dark Side of the Moon, Pink Floyd, Coen Brothers, Didn't Leave Nobody but the Baby, O' Brother Where Art Thou, Ship of Fools, World Party, Warren Littlefield, Bruce Miller, Elizabeth Moss, June Osbourne, Gwen Stefani, Hollaback Girl, Gilead, Marti Noxon, Sarai Walker, Julianna Barwick, Zach Cowie, Master of None, Eothen Alplatt, Now Again Records, Zambia, Reddit, Thomas Golubić, The Guild of Music Supervisors, Guild of Music Supervisors, GMS

Tyler Bates

Rockstar composer and Marilyn Manson's right hand man shares about scoring for the hit Guardians of the Galaxy franchise, his process on The Belko Experiment, the inside scoop on the guitar viol, and a wealth of wisdom on consistent creative expression.

INTERVIEWS