Fierce lead composer for Trailer Park and Guild of Music Supervisors Award recipient shares his top gear picks to make his music sound larger than life, the complex story behind Stranger Things' homage to Michael Jackson in the season 2 trailer, and how his life would be radically different if he never checked his junk folder.

Internationally celebrated electronic musician turned television composer, founder of Ancestor, and esteemed member of The Echo Society speaks on setting the stage for the menacing power politics of Billions, developing unique musical characters for each of Hannah Baker's tapes in 13 Reasons Why, and how spirituality has been a guiding light to ward off negative energy and stimulate creativity.

The fastidious musical chameleon and co-founder of DuoTone Audio Group speaks on the rationale behind his treatment for the key incident in I, Tonya, teases out the modernized East meets West soundscapes of Netflix's Marco Polo, and explains what a vacation from your computer can do for your artistry. 

Imaginative award-winning composer dishes on his dynamic collaboration with Harry Gregson-Williams to create the rustic, colorful musical treatment for Early Man, the delicate balancing act of serving a director's vision, and his contribution to Rupert Gregson-Williams' elaborate score for Wonder Woman.

Vibrant Emmy nominated, BAFTA winning, and Ivor Novello nominated composer speaks on breathing new life into the luxurious reboot of Dynasty, providing a twisted treatment for Errol Morris' "everything bagel" Wormwood, and the brilliant results of musical hibernation.

Multi-award winning powerhouse composer and two time Cinema Brazil Grand Prizes nominee shares about honoring the rich tradition of Latin-American music in an electronic world, balancing the beauty and darkness for Narcos, and why he believes he was made for film scoring. 

Transcendent ASCAP Award winning composer of Breaking Bad and Better Call Saul fame speaks on his distinctive musical treatment for James Franco's The Disaster Artist, pushing the boundaries of his artistry for Preacher, and the science of enhancing storytelling through improvisation. 

Emmy-winning and Grammy-nominated virtuoso dishes on the process of transitioning the music of Mr. Robot from screen to stage, the intricacies of his ongoing involvement in Ryan Murphy projects, and conquering the natural fear that comes from creating art on a deadline.

Kingpin composer of Atomic Blonde and Guardians of the Galaxy returns for part two of our in-depth profile and speaks on his collaboration with Marilyn Manson, the core impulse of Heaven Upside Down, and his words of wisdom for the next generation of music makers.

Half of dark instrumental band, S U R V I V E and the synthesizer aficionados behind Netflix's sci-fi fantasy smash, Stranger Things speak on the gear that evokes fear, hanging with Malcolm Cecil in their Airbnb, and the hardware they'd bring to a desert island.

Grammy Award winner and multiple EMMY and BAFTA nominated Scotsman shares about his overarching approach to composing and the power of collaboration with everyone from Hans Zimmer to Chad Smith of the Red Hot Chili Peppers.

Legendary member of A Tribe Called Quest and cultural influencer talks about his artistic collaboration with Adrian Younge on Marvel's Luke Cage soundtrack, the social relevance of We The People, and how he orients for the harmony of mankind.

First time film composer talks about striking gold on Get Out, the scene that required his promise to do his "worst job ever", and the musical he has never fallen out of love with. 

Rockstar composer and Marilyn Manson's right hand man shares about scoring for the hit Guardians of the Galaxy franchise, his process on The Belko Experiment, the inside scoop on the guitar viol, and a wealth of wisdom on consistent creative expression. 

Grammy nominated cello queen dishes on her early introduction to metal and industrial music, signing with Sony Masterworks, her experiences working with Hans Zimmer and Peter Kater, and advice to musicians on the rise. 

Former touring members of The Black Eyed Peas talk about the differences between composing for Black-ish, Madam Secretary, and Gossip Girl, the secrets to successful teamwork, and their dream collaborations.

Emmy nominee discusses Ex Machina, his collaboration with Geoff Barrow of Portishead, how he landed Beyonce's Life is But a Dream, and his core musical influences.

The man behind the music of Underworld: Blood Wars, The Goldbergs, and Bloodborne speaks on the advantages of being self-taught, the nuances of action sequences, and the horror score of his dreams.