Andrew Lockington

Thrilling SOCAN and BMI Film Music Award winning composer speaks on highlighting themes of friendship and self-sacrifice within the chaotic destruction of Rampage, his “pinch me” moment while scoring the action-packed global phenomenon, San Andreas, and artfully balancing historical accuracy and modern innovation for the savage period drama series, Frontier.

Daniel Pemberton

Gifted Golden Globes nominated composer speaks on remodeling the work of Bach within his explosive hybrid score for Ocean’s 8, how he convinced Aaron Sorkin to let him capture the essence of a rock band for Molly’s Game, and the innovative sequence he’s most proud of from medieval epic, King Arthur: Legend of the Sword.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzJune 16, 2018Paul Goldowitz, Ruby Gartenberg, Daniel Pemberton, Costa Communications, Ray Costa, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, All The Money in the World, The Man from UNCLE, The Man from U.N.C.L.E, King Arthur, King Arthur: Legend of Sword, Steve Jobs, Molly's Game, The Counselor, Ridley, Daniel Pemberton Interview, Ridley Scott, Aaron Sorkin, Guy Ritchie, Danny Boyle, Ocean's 8, The Future Sound of London, Video Game Magazine, Bedroom, Janet Street-Porter, Jean-Michel Jarre, The Grid, Brian Ino, Aphex Twin, John Barry, The Beach Boys, Ennio Morricone, Gary Ross, David Holmes, Steven Soderbergh, Ocean's Eleven, Ocean's Twelve, Ocean's Thirteen, The Italian Job, Quincy Jones, Power Station, Electric Lady Studios, Bach, Fugue in D Minor, Clair De Lune, Debussy, Getty, Run Londinium, Stockhausen, Karlheinz Stockhausen, Molly Bloom, Soundtoys, Devil-Loc, EchoBoy, Waves Abbey Road, Tape J37, Alti-Verb, Logic, Pro Tools, Black Mirror, USS Callister, Black Mirror USS Callister, Netflix, 2

ESKMO

Internationally celebrated electronic musician turned television composer, founder of Ancestor, and esteemed member of The Echo Society speaks on setting the stage for the menacing power politics of Billions, developing unique musical characters for each of Hannah Baker's tapes in 13 Reasons Why, and how spirituality has been a guiding light to ward off negative energy and stimulate creativity.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzApril 4, 2018Paul Goldowitz, Ruby Gartenberg, ESKMO, Brendan Angelides, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, Electronic Music, EDM, The Echo Society, Joseph Trapanese, Rob Simonsen, Jeremy Zuckerman, Benjamin Wynn, Nathan Johnson, Judson Crane, Machines on Task, Illuminate, Ascension, Vines and Streams, Cyberset, Ninja Tune, Florescence, Ancestor, Welder, SOL, Apollo, Billions, Milan Records, 13 Reasons Why, Interscope, Selena Gomez, Amon Tobin, Bamboo Snow, Chalice Well, Purple & Orange, Cloudlight, Come Back, We Got More, Moving Glowstream, Language, Terra, Cliffside, Jetski, Speaking in Tongues, Hypercolor, Agnus Dei, Let Them Sing, Land and Bones, Bar9, Bibio, Spor, Hundred Waters, Les Claypool, Primus, San Francisco, Connecticut, FeelHarmonic, Artist, Recording Artist, Planet Mu, Warp Records, Michael Jackson, The Prodigy, Roland JX-305, The Residents, Eskimo, Downbeat, Vertical Sound, Cyber Funk, Aphex Twin, Yuri's Night, NASA, Los Angeles, Ableton, Logic, Showtime, Netflix, Charlie Chaplin, Vibiana Downtown, Ace Theatre, Reggie Watts, Mica Levi, Jonsi, Sigur Rós, Chris Taylor, Grizzly Bear, Chelsea Wolfe, Clark, R&S, Tiny Desk Concert, NPR, Kontakt, Razor, Serum, Imposcar, UAD, Soundtoys, Trash, iZotope, FabFilter, Paul Giamatti, Damian Lewis, Stranger Things, Bobby Axelrod, Production, Music Producer, LA2A, Manley, Brainworks, Subpac, Albert The Wonder Squirrel, Buddhist, Buddhism, Thich Nhat Hanh, Deer Park Monastery, Plum Village, 2, 3

Peter Nashel

The fastidious musical chameleon and co-founder of DuoTone Audio Group speaks on the rationale behind his treatment for the key incident in I, Tonya, teases out the modernized East meets West soundscapes of Netflix's Marco Polo, and explains what a vacation from your computer can do for your artistry.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzMarch 22, 2018Paul Goldowitz, Ruby Gartenberg, Peter Nashel, Film Music, Composer, Film Scoring, Composing, Producer, Musician, Composer Interview, Original Score, Soundtrack, OST, Film Score, Television Music, Television Score, I Tonya, Marco Polo, Netflix, Eastman School of Music, Manhattan School of Music, Bill Holderman, Book Club, Jane Fonda, Candice Bergen, Diane Keaton, Younger, TV Land, DuoTone, DuoTone Audio, The Nigerian Prince, Paul Cohen, Broadway, Tanglewood, John Coltrane, The Heath Brothers, Bill Barron, Kenny Barron, Wesleyan, New York, New York City, Brooklyn, Jack Livesey, Moby, Play, The Beastie Boys, The Cranberries, tomandandy, Swing House, Atwater Village, Robert Urband, Film Music Management, Manager, Alexandre Desplat, Elmer Bernstein, Michael Kamen, Susan Jacobs, Craig Gillespie, Allison Janney, Tatiana S. Riegel, Bernard Hermann, Brian Deming, Lawrence Manchester, Tonya Harding, Jeff Gillooly, Nancy Kerrigan, Shane Stant, Shawn Eckhardt, China, Mongolia, John Fusco, Jim Black, Music Supervisor, Music Supervision, Dave Weiss, The Lion King, Flutist, Flautist, Multi-Instrumentalists, Game of Thrones, Outlander, Kublai Khan, Eric Hachikian, One Hundred Eyes, The Starship Enterprise, John Williams, Logic, Omnisphere, EastWest, Kontakt, Little Phatty, Moog Voyager, Fender Rhodes, Wurtlitzer, My Dinner with Andre, Karlheinz Stockhausen, Wallace Shawn, Southold, Long Island, Connecticut, 2, 3, I, Sue Jacobs, DuoTone Audio Peter Nashel

Pedro Bromfman

Multi-award winning powerhouse composer and two time Cinema Brazil Grand Prizes nominee shares about honoring the rich tradition of Latin-American music in an electronic world, balancing the beauty and darkness for Narcos, and why he believes he was made for film scoring.

Film/TV ComposersRuby Gartenberg, Paul GoldowitzJanuary 18, 2018Paul Goldowitz, Ruby Gartenberg, Pedro Bromfman, Narcos, Elite Squad, Robocop, The Story of Us with Morgan Freeman, Chain of Command, Netflix, National Geographic, White Bear PR, Thumper, Park City Film Music Festival, ASCAP, ASCAP Award, Cinema Brazil Grand Prizes, Hollywood Music in Media Awards, ACIE Award, Premio Contigo! De Cinema, Berklee College of Music, Moacir Santos, John Coltrane, Miles Davis, Joe Pass, Wes Montgomery, Hermeto Pascoal, Guinga, Tom Jobim, Joao Gilberto, Cinema Paradiso, Ennio Morricone, UCLA, Jimi Hendrix, Chick Corea, Milton Nascimento, Wayne Shorter, Herbie Hancock, Pat Metheny, Peter Gabriel, Logic, Pro Tools, Digi 001, Latin Recording Academy, Pablo Escobar, Colombia, Medellín, Cali, Kontakt, Liza Richardson, Eric Newman, Gaumont, Prologue, Cassio Duarte, Manu Delago, Jeff Russo, Television Academy, Fargo, David Buckley, The Good Fight, José Padilha, City of God, Berlin Film Festival, Nat Geo, Sundance Film Festival, End Of The Line, 3

INTERVIEWS